Davetrials Posted April 18, 2006 Report Share Posted April 18, 2006 The setting on my camera i think its the apperture f3.8 for example, what kinda of situation would i use this in? Quote Link to comment Share on other sites More sharing options...
Joe Papasnap Maher Posted April 18, 2006 Report Share Posted April 18, 2006 If your taking a photo of something...and you want the background to be less in focus....opposite to something like f22, where if you take a photo of something it will try and keep the whole shot in focus.Ill let rob or chris use the bigs word to explain:P Quote Link to comment Share on other sites More sharing options...
Phatmike Posted April 18, 2006 Report Share Posted April 18, 2006 Generally I'd used the widest (lowest number...) aperture I can, to allow me to use a faster shutter speed, and a lower ISO (less noise). This also gives me a narrow depth of field, meaning there won't be much in focus, ie backgrounds blurred.If you wanted to get a photo with a large depth of field, such as landscapes, where you want foregrounds and backgrounds in focus, then you'd use a smaller aperture (higher number), which means you'd have to use slower shutter speeds, and or higher ISO. Quote Link to comment Share on other sites More sharing options...
Rob_P Posted April 18, 2006 Report Share Posted April 18, 2006 (edited) Yeah what they said Also when you zoom your lens so it's at max zoom (or near) then the apature will automatically change to it's next lowest setting, if already on the lowest (3.2)For example, set a wide apature, then zoom in on something and watch it rise.Thats why with DLSR lenses you see this : I.e. "70-300mm F4.5-5.6" << Thats the widest apatures, depending on how much it's zoomed. Edited April 18, 2006 by Rob_P Quote Link to comment Share on other sites More sharing options...
F-Stop Junkie Posted April 18, 2006 Report Share Posted April 18, 2006 The only problems with this is that lenses tend to be less sharp 'wide open' and stopping down to F8 will certainly give sharper pictures. Also if the autofocus is inaccurate or focuses on the wrong point, the whole image will be out of focus.This is less of a problem with a compact digital camera as the sensor size is small, and hence depth of field is huge in almost any situation.You would use the mode to control depth of field, or basically how much is in focus. Quote Link to comment Share on other sites More sharing options...
Davetrials Posted April 18, 2006 Author Report Share Posted April 18, 2006 Excellent, ill try and use it next time then. Quote Link to comment Share on other sites More sharing options...
MadsP Posted April 18, 2006 Report Share Posted April 18, 2006 Is that why a fixed 50mm/1.4 lens is good shit? the AP can get really wide? Quote Link to comment Share on other sites More sharing options...
Rob_P Posted April 18, 2006 Report Share Posted April 18, 2006 Yep Also night shots would be more of a reality handheld than a F3.5 lens as theres so much more light entering the lens. Also pretty expencive Although as Chris said, at the widest AP it won't bes as sharp, using 1.8 would be a better option as a lowest. Quote Link to comment Share on other sites More sharing options...
Dai the Socket Posted April 18, 2006 Report Share Posted April 18, 2006 Is that why a fixed 50mm/1.4 lens is good shit? the AP can get really wide?Fixed 50mm Primes are good 'cos they let lots of light in, allow quick shutter speeds so no blur, and a greater depth of field. This means the closer subjects or ones which you've got in focus are sharp, but then the background is more out of focus. Quote Link to comment Share on other sites More sharing options...
minitrialer Posted April 18, 2006 Report Share Posted April 18, 2006 Basically just depth of field isn't it and it's something to do with how the light is let through the iris or something. also rather than making a new thread can someone give me a rough but clear explanation of groups and elements, i have a rough idea, i know it's how the lens is constructed and how many pieces of glass there are, but that's about it really.Cheers in advanced, sorry to steal your thread. Quote Link to comment Share on other sites More sharing options...
woodster90 Posted April 18, 2006 Report Share Posted April 18, 2006 (edited) also think about your distance to the subject-and the distance of the background---confused?????you will be if I were to talk about HYPERFOCAL DISTANCE?????But thats another thread another day, and not really suited to a trials forum!!!Nowadays with digital compacts you hardly have any control over depth of field.concentrate more on composition( whats in the picture)its that factor that can make you go wow or whoopeee, or make it look like an average pic.woody Edited April 18, 2006 by woodster90 Quote Link to comment Share on other sites More sharing options...
F-Stop Junkie Posted April 18, 2006 Report Share Posted April 18, 2006 also think about your distance to the subject-and the distance of the background---confused?????you will be if I were to talk about HYPERFOCAL DISTANCE?????No such thing really. Everything may look in focus, but it's never really the case. Quote Link to comment Share on other sites More sharing options...
oakley Posted April 19, 2006 Report Share Posted April 19, 2006 oh.. right. Quote Link to comment Share on other sites More sharing options...
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