You are gonna mix and EQ that....right? What's most important is that for each instrument you need to 'carve' a sound in the frequency range for it. So the bass you EQ/mix it to a suitable level, then slot in the bass drum slightly above the bass frequencies you're using and it'll stand out more. Synths like the one you've got in that sample (mostly FM or subtractive with lots of highs) and distorted guitars always conflict so whichever you're looking to have as the most present needs to have the higher frequencies EQ'd slightly above those of the lesser instrument. Panning in an intense track like a dnb track will help things a lot too. Have the kick, snare and crash all set to centre, then move your hats (use two, or have a half-beat stereo delay) to either side. If you're using some decent speakers, sit in an equilateral triangle with them and you'll be able to pick out the subtleties in your panning technique.